本来这是一部即使Sorkin自己掌镜+两大男神女神加持都已经让人觉得昏昏欲睡的无聊剧情片话太满剧情反转又毫无方向而且Sorkin的恃才傲物让他不愿意使用任何麦高芬 于是整部剧在中央公园之前看上去极其茫然结果也不知是为什么最后给片子加上一点daddy issue泡沫灭火器原理似乎是为了自圆其说反而倒是有点意思了女庄家为自己洗白也不要太当真off the book的故事肯定比没拍出来的精彩100倍
Two ideas have mainly fed this kind of dysutopian discourse, totalitarianism and scientific/technological progress. Can we expect something new or thought-provoking even with that standardized framework? This ordinary series provided the common answer “NO”!